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These are things some people
and writers have said:
"...the
man makes some very interesting but very hard to describe music. Certainly
worth a listen for the musically adventurous."
Dirty Linen
"...Spot
can really play his ass off."
Mike Watt
"He
is a ruling individualprivilege to know him. Spot is the bestfunny,
insightful, a real natural Dadaistic head."
Nels Cline (Wilco)
"...his
simpler, storytelling numbers resonated with naughty wit and fiery sarcasm
(while) the
instrumentals recalled the more refined works of Leo Kottke and Chet
Atkins."
Bernard Lesemann (Flagpole; Athens, GA)
"...Spot
stole the show and he was completely solo. But then again, he can play
anything, as he proved when he hoined Mike Watt later in Mike's set,
so it never gets boring. Great show."
Xanna Don't (Don't Label It; Raleigh, NC)
"...with
influences as far reaching as rock, jazz, avant-garde, country and Celtic...
...this man takes off, leaving the known world far behind, although
pegging it as only a truly 'out there' perspective can. ...because he
plays the hell out of anything he gets his hands onmost visibly
guitar and tenor banjo."
Tim Britton (Fairfield Weekly Reader; Fairfield, IA)
"...he
heads down the eccentric-post-Beat path (a narrow one, through dark
woods) taken by the likes of Michael Hurley and Peter Stampfel."
"...(Spot
is) proof that the elusive grail of tradition is as much in the individual
vision as it is in the cliches."
Monica Kendrick (Chicago Reader)
"...if
you took Trey Anastasio and John Fahey and squeezed them into one body,
you'd come up with Spot."
Jason Enright (Jupiter Records)
"...thankfully,
Spot's sense of humor and years of experience have combined to make
his explorations and updatings of the hornpipe, jig, and all those old
traditional musical forms with funny names far more than just a fine
academic study."
Ken Lieck (Austin Chronicle)
"...(it
all) makes sense, in an acid-folk, progressive-bluegrass, front porch
fingerpicking kind of way."
Greg Baise (Metrotimes; Detroit, MI)
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